Under The Sun -

. .

Résumé :

Bruce Chatwin is one of the most significant British novelists and travel writers of our time. His books have become modern-day classics which defy categorisation, inspired by and reflecting his incredible journeys. Tragically, Chatwin's compelling narrative voice was cut off just as he had found it. 'Bruce had just begun' said his friend, Salman Rushdie, 'we saw only the first act'.

But Chatwin left behind a wealth of letters and postcards that he wrote, from his first week at school until shortly before his death at the age of forty-eight. Whether typed on Sotheby's notepaper or hastily scribbled, Chatwin's correspondence reveals more about himself than he was prepared to expose in his books...

Biographie:
Bruce Chatwin was born in Sheffield in 1940. After attending Marlborough School he began work as a porter at Sotheby's. Eight years later, having become one of Sotheby's youngest directors, he abandoned his job to pursue his passion for world travel. Between 1972 and 1975 he worked for the Sunday Times, before announcing his next departure in a telegram: 'Gone to Patagonia for six months.' This trip inspired the first of Chatwin's books, In Patagonia, which won the Hawthornden Prize and the E.M. Forster Award and launched his writing career. Two of his books have been made into feature films: The Viceroy of Ouidah (retitled Cobra Verde), directed by Werner Herzog, and Andrew Grieve's On the Black Hill. On publication The Songlines went straight to Number 1 in the Sunday Times bestseller list and remained in the top ten for nine months. On the Black Hill won the Whitbread First Novel Award while his novel Utz was nominated for the 1988 Booker Prize. He died in January 1989, aged forty-eight....

Sommaire:
his health and finances, his literary ambitions and tastes, his uneasiness about his sexual orientation...

It seems that Chatwin is narrating his own life, from the false starts, unsatisfying jobs, unfinished studies and unpublished writing to the precipitate moves, the eruptions of boredom and the infatuations with people, with places, with ideas. These letters burst with affectionate salutations, explosions of rage, sudden enthusiasms -- Paul Theroux Daily Telegraph This collection should be cherished not least because it is Chatwin's last New Statesman The editors brief and beautifully pointed comments in the footnotes provide some of the most enjoyable moments in this book Sunday Telegraph A masterpiece of sympathetic and diligent editing, absolutely fascinating and larded with acerbic comments from Shakespeare's joint editor, Elizabeth Chatwin Spectator Every drop of Chatwin is worth it. The same exquisite observations found in his novels and the penetrating ideas found in his essays infuse even his most casual letters Independent on Sunday