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Ink on the Tracks - Adrian Grafe

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    Brand new, In English, Fast shipping from London, UK; Tout neuf, en anglais, expédition rapide depuis Londres, Royaume-Uni;ria9798765101957_dbm

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        Présentation Ink On The Tracks de Adrian Grafe Format Relié

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        Livre - Adrian Grafe - 01/09/2024 - Relié - Langue : Anglais

        . .

      • Auteur(s) : Adrian Grafe - Andrew McKeown
      • Editeur : Bloomsbury Academic
      • Langue : Anglais
      • Parution : 01/09/2024
      • Format : Moyen, de 350g à 1kg
      • Nombre de pages : 208
      • Expédition : 454
      • Dimensions : 22.9 x 15.2 x 2.5
      • ISBN : 9798765101957



      • Résumé :
        Exploring a diverse range of formats, this book identifies and prioritizes writing forms often excluded from the categorization of rock music writing. The scope of the book goes beyond rock journalism in order to take in many other forms of expression that can also be considered writing, such as album notes, gig reviews, rock biopics, and concert/tour programs and gives equal consideration to commercial and critical writing and fiction, memoir, and fantasy writing. Vitally, the volume places rock and roll writing within a wider cultural frame often overlooked by studies of traditional white male-led music journalism--

        Biographie:
        Andrew McKeown is Senior Lecturer of English at the University of Poitiers, France. He has co-edited works on poetry and music, including a study of Edward Thomas, Roads from Arras (2018) and a volume on Bob Dylan, 21st Century Dylan: Late and Timely (Bloomsbury, 2021). Adrian Grafe is Professor of English at Artois University, France. He is the author of Hopkins (2003) and Emily Dickinson (2009). He has edited or co-edited several books on British poetry and was awarded in 2011 a Fellowship of the English Association (GB). He is co-editor of 21st Century Dylan: Late and Timely (Bloomsbury, 2021).

        Sommaire:
        Introduction: A Lover's Discourse? Rock and Roll Writing Andrew McKeown Part 1: Come Writers and Critics 1. 'I read the news today . oh boy': Taking the Pulse of UK Popular Music Journalism Simon Morrison, University of Chester, UK 2. Lester Bangs's Rock Writing and the Great American Mythos Maud Berthomier, Independent Scholar, France 3. Rock and Philosophy: From Adorno to the anti-Adornian Generation? Cristina Parapar, Sorbonne University, France 4. The Concert: Between Creation, Re-creation and Writing of Popular Music Julie Mansion-Vaqui?, University of Nice, France 5. Classed Narratives of Popular Music History Jon Stratton, University of South Australia Part 2: Every Day I Write the Book 6. All the Years Combine: Digital Media, the Grateful Dead Archive and the Wheel of Time M. Cooper Harriss, Indiana University, USA 7. 'I obliterate myself in song': Music, Selfhood and Discovery in YA Fiction Ben Screech, University of Gloucestershire, UK 8. Rock Music and the Contingencies of History: Dawnie Walton's The Final Revival of Opal & Nev Adrian Grafe, Artois University, France 9. Writing into the Canon: Women and Music Memoir Lucy O'Brien, London College of Music, University of West London, UK 10. Rock Obits: Patti Smith and the Deceased Janneke Van Der Leest, Radboud University, Netherlands 11. 'The magic runes are writ in gold': Writing Mythology, Transcendence and Faith in Rock Simon McAslan, Vanier College, Canada 12. Paul is dead . Long Live Paul: Reinventing Eden in Rock and Roll Writing Charles Holdefer, writer, Belgium 13. Something Up Their Sleeve? The Doubtful Art of Liner Notes Andrew McKeown, University of Poitiers, France General Bibliography Index

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