The Spasmodic Poets - Paige, Lori A.

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Résumé :
Few stories capture the unique interplay of critical theory, mass media and public taste better than the story of the Spasmodics. These earnest, youthful and largely self-educated neo-Romantics hoped to become prophets who would influence literary society on a grand scale. From about 1850 to 1860, the Spasmodics successfully cast a long shadow over virtually every serious discussion of Victorian poetry. Many mid-nineteenth-century writers, including Tennyson, both Brownings and Matthew Arnold, were either adherents or outspoken detractors of the Spasmodic School. This work documents, in appropriate social contexts, the trajectory of the Spasmodic School in both its original incarnation and subsequent appraisals. Examining the various personalities and aesthetic principles that fashioned the movement, the author does not champion any particular critical stance or verdict. The scholarly apparatus cites a number of competing Victorianist interpretations, approaches and judgments with varying degrees of expertise....

Biographie:
Lori A. Paige, a professor of English at American International College in Springfield, Massachusetts, teaches courses in British and gothic literature....

Sommaire:
Table of Contents

Acknowledgments
Introduction
1.?Some Special Providential Purpose: The Tale of the Spasmodic School
2.?Fearless Strains: British Literary Culture at Mid-Century
3.?Barbaric Jewelry: Bailey's Festus and the Birth of the Spasmodic Ideal
4.?With a Halo Crowned: Gerald, A ?Life-Drama, and the Coming of the Vates
5.?The Unstable Bubble of Inflated Thought: Dobell, Bigg, and the Flowering of High Spasmody
6.?All High Poetry Is and Must Be Spasmodic: The ?Anti-Spasmodic Reaction
7.?A Cloud of Poisonous Flies: After the Spasmodics
Epilogue: Vast Displays of Critic Wit: The Future of the Spasmodic School
A Spasmodic Timeline
Chapter Notes
Bibliography
Index
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