LETTING GRAVITY SPEAK - Erika Michael

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Résumé :
In Letting Gravity Speak, Erika Michael has strung fine lines to catch the gravitons of love. This stunning arrangement of poems captures and holds all the charges and contours of a great, long, complicated conjugal adventure-its vaults and plummets, its sensuous and heady immersions in wonders both outer and intimate, and, most significantly, that love's antigravity persistence, even its intensification, through loss. Michael's poems are elegant, bold, and sing in all the idioms of a remarkably full life. Fused here are art history, topology, street talk, Torah, deep ecology, the beloved's brilliance, the fraying of memory, the erotic and the holy...all in a forcefield of relentless resilience that discovers joy again and again in the mystery and magnificence of the world. -Jed Myers, author of Watching the Perseids and The Marriage of Space and Time Erika Michael's debut collection is equal parts elegy and celebration, a book that bears witness to the loss of her beloved husband after nearly fifty years of marriage. We see two lives shaped by a curiosity that drove them to explore, from a train ride across the Pyrenees to the 'coffee-dappled/ Danube,' a curiosity that sustained Michael as she made a record of her husband's final journey, from complex mathematical hypotheses to the halls of the memory care unit in which he struggled through his last days. In her grief, the world is described 'as noiseless as our / kitchen in the morning without the clank / and hiss I crave, more silent than stones / that I've piled on your grave,' yet we also watch her find her way back to wonder. Informed by Jewish prayers and practices, as well as the wisdom of a long life well-lived, these musical and searching poems exude vulnerability and dignity. Letting Gravity Speak exerts a gravity all its own. -Jessica Jacobs, author of Take Me With You, Wherever You're Going, and Pelvis With Distance and Nickole Brown, author of Sister, Fanny Says, and The Donkey Elegies

Biographie:
Erika Michael, a Seattle resident since 1966, received her Ph.D. in Art History from The University of Washington. She has participated in extended poetry workshops with Carolyn Forch?, Thomas Lux, Linda Gregerson, Laure-Anne Bosselaar,Tim Siebles, Major Jackson, and Jeffrey Levine. Her work has appeared in Poetica Magazine, Cascade, Drash, Bracken Magazine, The Winter Anthology, Belletrist Magazine, The Dewdrop, Aletheia Literary Quarterly (Third Prize Finalist) and elsewhere. In 2019 she won first prize in the Ekphrastic Poetry Contest at the Palm Beach Poetry Festival.

Sommaire:
In Letting Gravity Speak, Erika Michael has strung fine lines to catch the gravitons of love. This stunning arrangement of poems captures and holds all the charges and contours of a great, long, complicated conjugal adventure-its vaults and plummets, its sensuous and heady immersions in wonders both outer and intimate, and, most significantly, that love's antigravity persistence, even its intensification, through loss. Michael's poems are elegant, bold, and sing in all the idioms of a remarkably full life. Fused here are art history, topology, street talk, Torah, deep ecology, the beloved's brilliance, the fraying of memory, the erotic and the holy...all in a forcefield of relentless resilience that discovers joy again and again in the mystery and magnificence of the world. -Jed Myers, author of Watching the Perseids and The Marriage of Space and Time Erika Michael's debut collection is equal parts elegy and celebration, a book that bears witness to the loss of her beloved husband after nearly fifty years of marriage. We see two lives shaped by a curiosity that drove them to explore, from a train ride across the Pyrenees to the 'coffee-dappled/ Danube,' a curiosity that sustained Michael as she made a record of her husband's final journey, from complex mathematical hypotheses to the halls of the memory care unit in which he struggled through his last days. In her grief, the world is described 'as noiseless as our / kitchen in the morning without the clank / and hiss I crave, more silent than stones / that I've piled on your grave,' yet we also watch her find her way back to wonder. Informed by Jewish prayers and practices, as well as the wisdom of a long life well-lived, these musical and searching poems exude vulnerability and dignity. Letting Gravity Speak exerts a gravity all its own. -Jessica Jacobs, author of Take Me With You, Wherever You're Going, and Pelvis With Distance and Nickole Brown, author of Sister, Fanny Says, and The Donkey Elegies...