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Présentation Why Photographs Work de George Barr Format Broché
- Livre Photographie
Résumé :
Every photographer, from weekend enthusiast to professional, can learn by studying the greats. In Why Photographs Work, author/photographer George Barr analyzes 52 striking images by some of the world's top photographers. Accompanying Barr's analysis of each image is an explanation by the photographer describing the circumstances of making the image, including not only the how, but also the why. Also included is each photographer's biography, a reference to his or her websites and publications, and brief technical descriptions of the equipment used in making each image.
With guidance from Barr, we learn to decipher that certain intangible something that makes an image go beyond the ordinary. As we gain an understanding of and appreciation for the elements that make an image truly great, we are bound to
improve our own images as well.
Everyone who likes photography or those who simply enjoy looking at wonderful images will find this a captivating and inspiring book.
Included are images by:
Bruce Barnbaum, Phil Borges, Nick Brandt, Christopher Burkett, Dan Burkholder, Susan Burnstine, Brigitte Carnochan, Lawrence Chrismas, Joe Cornish, Charles Cramer, Tillman Crane, Sandra C. Davis, Mitch Dobrowner, Bengt Ekelberg, Sven Fennema, Francois Gillet, Carol Hicks, Thomas Holtk?tter, Milan Hristev, George Jerkovich, Kim Kauffman, Michael Kenna, Brian Kosoff, Michael Levin, Wayne Levin, Gordon Lewis, Joe Lipka, Roman Loranc, Larry Louie, Paul Mahder, David Maisel, Harald Mante, Dennis Mecham, Billie Mercer, Beth Moon, Shaun O'Boyle, Elizabeth Opalenik, Louie Palu, Freeman Patterson, Blair Polischuk, Craig Richards, Ryuijie, John Sexton, Hans Strand, Cole Thompson, George Todd, Pete Turner, Per Volquartz, Charlie Waite, David Ward, John Wimberley, Huntington Witherill
Biographie: George Barr is a photographer living in Calgary, Canada. Serious about photography since age 12, working initially with a WWII Zeiss Ikonta in a basement-bathroom darkroom, he has progressed through medium format, 4X5, and now digital SLR's. He earns his living as a family doctor with a special interest in psychiatry but his primary passion has always been the fine art print. Major milestones include learning to make quality prints from Fred Picker, learning to really see photographs from Hubert Hohn of the Edmonton Art Gallery, looking at Edward Weston prints bare, attending workshops, working with galleries, and being published. George has had his images published in the magazines Black and White Photography, Black and White, Focus, Lenswork, and Outdoor Photography. By the time George closed his darkroom, he was making very high quality prints and carried on this quality with digital cameras and inkjet printing, producing some of the finest inkjet prints made, surprising many traditional 4X5 photographers with the level of quality. Throughout his life George has been a teacher of medical students & residents, patients, and fellow photographers. A writer of understandable patient newsletters and handouts, it was a short step to writing essays on photography. George has bravely tackled the challenging subjects of aesthetics, seeing, and composing in a style that is clear, practical, and applicable to many. Sommaire:
Dedication Introduction Chapter 1: Circular Chimney Chapter 2: Iparo Chapter 3: Elephant Drinking Chapter 4: Glowing Autumn Forest Chapter 5: Tree and Pond in Fall Chapter 6: Bridge To Nowhere Chapter 7: Pillow of Sickness Chapter 8: Two Cape Breton Miners Chapter 9: Traigh Eais Barra Chapter 10: Tree Detail, Autumn, Zion Valley, Utah Chapter 11: Stones in Window Chapter 12: Moore Hall Interior # 1 Chapter 13: Shiprock Storm Chapter 14: Manipulation Chapter 15: Sleeping Halls Chapter 16: Comp 16/07 Chapter 17: White Delphinium Chapter 18: Caixa 1 Chapter 19: The Temple Of Godless Aphaia Chapter 20: Sunflower Coal Chapter 21: Fugue Chapter 22: Huangshan Mountains, Study # 19 Chapter 23: Three Crosses Chapter 24: Code Chapter 25: Bluefin Trevally Herding Akule Chapter 26: Precipitation Chapter 27: Labyrinth 01 Chapter 28: Franciscan Church, Vilnius Chapter 29: Color Prayer Flags - 2 Chapter 30: Fire & Ice Chapter 31: Terminal Mirage 8 Chapter 32: Two People/Two Doors - Carlow, Ireland Chapter 33: Dancer Chapter 34: Sir Edward James Garden Sculpture Chapter 35: Trumpet Plant Chapter 36: Asylum Doors Chapter 37: Waiting Chapter 38: Front Towards Enemy Chapter 39: Melange Un Chapter 40: A June Evening, Hornby Island Chapter 41: Vincente, Nebaj El Quich? Chapter 42: Dancing in Bubbles Chapter 43: Black Oaks, Morning Mist, Yosemite Valley, California Chapter 44: River, South Coast, Iceland Chapter 45: Auschwitz # 14 Chapter 46: Fe2O3 # 6, Kos, Greece Chapter 47: Times Square Chapter 48: Mrs. Nishimoto Chapter 49: Birch and Window, Colmar, France Chapter 50: Chrome Handle Chapter 51: Descending Angel Chapter 52: Tulips #55 Recommended Photographers
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