False Creek - Munro, Jane

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Auteur(s) : Munro, Jane

Editeur : Harbour Publishing Co. Ltd.

Langue : Anglais

Parution : 01/03/2023

Format : Moyen, de 350g à 1kg

Nombre de pages : 96

Dimensions : 22.6 x 15.0 x 0.8

ISBN : 1990776094

Résumé :

In this new and masterful collection, Griffin Poetry Prize winner Jane Munro balances her signature themes-dream life, the visual arts, the mysteries of the natural world-with an urgent, more directly political voice.

False Creek, Munro's eighth collection of poetry, responds to the discovery of sodded-over graves around residential schools and the elimination of S?n??q?, home to fifteen thousand S?wx_w?7mesh before the genocide caused by European diseases. Poems ask What counts as violence? and address erasure. Others reflect on False Creek's reduction to one-fifth its original size, offer a litany of species living there before the destruction of habitat, and observe how it remains a cherished inlet to the heart of Vancouver.

As Munro walks around False Creek images arise. In content and form, the book ranges far and wide. While not shirking painful realities, the poems support the human capacity to climb ladders, arrive at fresh points of view, listen to one another, and greet despair with wit, attention, intention-and hope.

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Biographie:
Jane Munro is a Canadian poet, writer and educator. Blue Sonoma (Brick Books, 2014) won the 2015 Griffin Poetry Prize. Munro’s recent books include Open Every Window: A Memoir (Douglas & McIntyre, 2021) and the poetry collection Glass Float (Brick Books, 2020). She has taught creative writing at universities across BC, led writing workshops, and has given readings around the world. She lives in Vancouver, BC.

Sommaire:

In this new and masterful collection, Griffin Poetry Prize winner Jane Munro balances her signature themes-dream life, the visual arts, the mysteries of the natural world-with an urgent, more directly political voice.

False Creek, Munro's eighth collection of poetry, responds to the discovery of sodded-over graves around residential schools and the elimination of S?n??q?, home to fifteen thousand S?wx_w?7mesh before the genocide caused by European diseases. Poems ask What counts as violence? and address erasure. Others reflect on False Creek's reduction to one-fifth its original size, offer a litany of species living there before the destruction of habitat, and observe how it remains a cherished inlet to the heart of Vancouver.

As Munro walks around False Creek images arise. In content and form, the book ranges far and wide. While not shirking painful realities, the poems support the human capacity to climb ladders, arrive at fresh points of view, listen to one another, and greet despair with wit, attention, intention-and hope.