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Présentation Oleanna de David Mamet Format Broché
- Livre Théâtre
Student edition of the ground-breaking and controversial play on the male-female power struggle.
Résumé : Mamet's ground-breaking and controversial play on the male-female
power struggle, annotated with an introduction, notes and commentary.
An ear for reproducing everyday language has long been David
Mamet's hallmark and he has now employed it to skewer the dogmatic,
puritannical streak which has become commonplace on and off the campus.
With Oleanna he continues an exploration of male-female conflicts begun
with Sexual Perversity in Chicago in 1974. Oleanna cogently
demonstrates that when free thought and dialogue are imperilled, nobody
wins. (Michael Wise, Independent)
In Oleanna John and Carol go to it with hand-to hand combat
that amounts to a primal struggle for power. As usual with Mamet, the
vehicle for that combat is crackling, highly distilled dialogue
unencumbered by literary frills or phony theatrical ones. (Frank Rich,
International Herald Tribune)
Biographie: David Mamet is one of the most distinctive voices on the contemporary
American stage. He was born and had his first and many subsequent plays
premiere in Chicago. His screenplays include: The Postman Always Rings
Twice, The Verdict, The Untouchables, We're No Angels and Glengarry
Glen Ross...
Sommaire: Mamet's ground-breaking and controversial play on the male-female
power struggle, annotated with an introduction, notes and commentary.
An ear for reproducing everyday language has long been David
Mamet's hallmark and he has now employed it to skewer the dogmatic,
puritannical streak which has become commonplace on and off the campus.
With Oleanna he continues an exploration of male-female conflicts begun
with Sexual Perversity in Chicago in 1974. Oleanna cogently
demonstrates that when free thought and dialogue are imperilled, nobody
wins. (Michael Wise, Independent)
In Oleanna John and Carol go to it with hand-to hand combat
that amounts to a primal struggle for power. As usual with Mamet, the
vehicle for that combat is crackling, highly distilled dialogue
unencumbered by literary frills or phony theatrical ones. (Frank Rich,
International Herald Tribune)